THE EXHIBITION
CURATORIAL JOURNEY
Five chapters. The exhibition as a perceptual journey.
Hilma af Klint — preview, Bridgeman Images
RECEIVING
The Artist as Instrument
Georgiana Houghton · Hilma af Klint · Anna Cassel
Creation does not always begin with conscious intention.
Hilma af Klint — preview, Bridgeman Images
MAPPING
Geometry of the Invisible
Hilma af Klint · Emma Kunz
Form given to relationships that cannot otherwise be seen.
Hilma af Klint — preview, Bridgeman Images
VIBRATION
Colour as Energy
Emma Kunz · Agnes Pelton · Hilma af Klint
Colour leaves the surface of the painting and enters the body of the viewer. HEALING ≠ CURE. Colour is relationship.
Hilma af Klint — preview, Bridgeman Images
ALCHEMY
Transformation and the Feminine Imaginal
Leonora Carrington · Remedios Varo · selected visionary artists
Alchemy as both material and psychological transformation.
Hilma af Klint — preview, Bridgeman Images
PRESENCE
From Looking to Sensing
Historical works in dialogue with contemporary practices
The visitor is no longer simply looking at art. The visitor becomes part of the perceptual experiment.
EXHIBITION SETTING
China Art Museum, Shanghai
中华艺术宫 · China Pavilion, Expo 2010 Shanghai — 2026.11.11 — 2027.09.09
Poster visualisation — Hilma af Klint work shown as design reference, Bridgeman Images, pending rights clearance.
ADDRESS
205 Shangnan Road, Pudong New Area, Shanghai, China
OPENING HOURS
Tuesday — Sunday · 10:00 — 18:00 (last entry 17:00)
Monday · Closed (except public holidays)